
Topping DX1 II Review: The $160 "Pocket Desktop" DAC/Amp Disrupting the Portable Market
, by Kai @ EMiUZEK Team, 5 min reading time

, by Kai @ EMiUZEK Team, 5 min reading time
The TOPPING DX1 II redefines portable desktop audio. Sized like a power bank and weighing just 275g, this all-in-one DAC and headphone amp can replace both portable dongles and traditional desktop players. Equipped with the ESS ES9039Q2M chip and complete ports including USB-C, optical, RCA, 3.5mm and 4.4mm jacks, it even supports gaming headsets. It delivers remarkable sound dynamics and a wide soundstage, driving various earphones and over-ear headphones easily. It is a great budget pick for audiophiles for daily use and travel.
The boundaries between desktop Hi-Fi and portable audio are officially dissolving. In the past, audiophiles had to make a strict compromise: premium desktop soundscapes required an oversized, tethered desktop stack, while traveling meant settling for slim, battery-starved USB dongles.
When Topping announced the DX1 II—a desktop DAC/Amp barely larger than a standard power bank—I immediately saw the potential. Priced at just $160, this tiny device promised to bridge the gap between desktop performance and ultimate portability.
To see if it could truly deliver, I borrowed a matte-black unit right before an extended cross-country vacation. It ended up single-handedly replacing my usual travel audio stack.
On long trips, I traditionally pack two separate source devices: a beefy desktop unit (like the Topping DX5 II) for the hotel room, and a standard USB dongle for flights and train rides. The DX1 II rendered both obsolete.
Measuring just 10cm × 10cm × 3.2cm and weighing a mere 275g, the DX1 II is incredibly compact. Its entire retail box takes up less space than a standard desktop unit. I slipped it and my laptop straight into my carry-on backpack without an extra flight-case or power bricks. Because it runs directly on USB bus power, setting it up on an airplane tray-table or a coffee shop counter is as simple as plugging in a single Type-C cable.
Throughout my trip—from hotel rooms to airport lounges and highway rest stops—the DX1 II was heavily utilized and completely hassle-free.
On long trips, I traditionally pack two separate source devices: a beefy desktop unit for the hotel room, and a standard USB dongle for flights and train rides. The DX1 II rendered both obsolete.
Measuring just 10cm × 10cm × 3.2cm and weighing a mere 275g, the DX1 II is incredibly compact and runs directly on USB bus power—setup is a single Type-C cable on a tray table or coffee counter. The same "small box, desktop sound" idea shows up in the in-stock FiiO K11 R2R and Fosi K7, but those are desk-first units; the DX1 II is the one you would actually toss in a carry-on.

Despite its budget price, the DX1 II inherits Topping's premium machining—rugged metal, smooth edges, precise tolerances. The back panel carries a Type-C USB with a UAC 2.0/1.0 toggle (instant plug-and-play across laptop, desktop, and console), SPDIF optical in/out, RCA line-out, and both a 3.5mm jack (with a 2.5V mic bias for gaming headsets) and a 4.4mm balanced jack. Against the in-stock alternatives, the trade-offs are clear: the Fosi K7 adds Qualcomm Bluetooth 5.0 with aptX HD for cable-free listening plus a bass/treble tone knob, while the FiiO K11 R2R adds coaxial input and an RCA line-out that lets it double as a preamp. The DX1 II's edge is its gaming-headset mic support and true pocketability—neither rival travels as easily.


Built around the ESS ES9039Q2M DAC and a four-channel amp, the DX1 II delivers genuine desktop-scale dynamics. As a track swells, the presentation becomes brilliantly dynamic and cinematic, with an expansive soundstage that rivals gear a tier above. Against premium USB dongles—which often compress orchestral pieces—the DX1 II offers real sonic density and dynamic slam, every layer chiseled and holographic.
Sonic Profile Across Genres
The Low End: punchy, tightly textured, and highly articulate—anchors pop, electronic, and rock rhythms with visceral energy.
The Midrange: silky, clear vocals. Gritty baritones like Leonard Cohen or Eric Clapton feel resonant and texturally rich; intimate female vocals like Norah Jones sound lush. Ultra-airy voices (Enya, Billie Eilish) lean grounded and intimate rather than purely ethereal.
Pairing and Gear Synergy
With a maximum output of 1000mW × 2, the DX1 II drives everything from ultra-sensitive monitors to demanding open-back headphones with poise.
With the Sennheiser HD 660 S—which traditionally needs high voltage to wake its mid-bass—the DX1 II scales up beautifully, presenting a wide, organized soundstage and a lush, authoritative lower-midrange that makes cello concertos and classic rock a joy.

| Specification | Topping DX1 II | FiiO K11 R2R | Fosi K7 |
|---|---|---|---|
| Typical price | ~$160 | ~$175.99 | ~$199.9 |
| DAC architecture | ESS ES9039Q2M (delta-sigma) | FiiO R2R ladder (NOS/OS modes) | AKM AK4493SEQ (delta-sigma) |
| Balanced output | 4.4mm, 1000mW × 2 @ 32Ω | 4.4mm, 1300mW @ 32Ω | 4.4mm, 2100mW @ 32Ω |
| Bluetooth | No | No | Yes — aptX HD (5.0) |
| Tone / EQ | Parametric EQ (PEQ) | NOS / OS modes (no PEQ) | Bass / treble knobs |
| THD+N (published) | <0.00007% (line-out) | ~0.025% | <0.0002% |
| Sonic character | Dynamic, analytical | Warm, musical, analog (NOS) | Clean, neutral |
| Best for | Pocketable desktop + gaming | R2R warmth seekers | Accuracy + wireless |
The DX1 II remains a standout for pocketable desktop sound with gaming-headset support. If you are comparing it against the in-stock FiiO K11 R2R and Fosi K7: choose the K11 R2R for R2R warmth and character, the K7 for neutral accuracy, more headroom, and Bluetooth, and the Fosi K5 Pro (~$75) if budget is the priority.
As a 660s owner I’d love to know your current favorite amp/dac for it. I am trialing a range of prices… k13 r2r, luxin x8, a smsl cheaper thing, the failure problem of the dx5 ii scare me. Going to try some random company kaiboer too.